By Casey Ryan Kelly
From the point of view of cultural conservatives, Hollywood video clips are cesspools of vice, exposing impressionable audience to pernicious sexually-permissive messages. supplying a groundbreaking research of Hollywood movies produced for the reason that 2000, Abstinence Cinema involves a really assorted end, discovering echoes of the evangelical movement’s abstinence-only rhetoric in every thing from effortless A to Taken.
Casey Ryan Kelly tracks the mind-blowing sex-negative flip that Hollywood motion pictures have taken, associating premarital intercourse with disgrace and degradation, whereas romanticizing conventional nuclear households, courtship rituals, and gender roles. As he demonstrates, those video clips are fairly disempowering for younger women, concocting plots during which the choice to chorus from intercourse until eventually marriage is the younger woman’s fundamental resource of supplier and arbiter of ethical worthy. finding those regressive sexual politics not just in anticipated websites, just like the Twilight movies, yet amazing ones, just like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood motion pictures have taken an important step backward in fresh years.
Abstinence Cinema deals shut readings of flicks from a large spectrum of genres, and it places those movies into dialog with rhetoric that has emerged in different arenas of yankee tradition. tough assumptions that we live in a extra liberated period, the publication sounds a caution bell concerning the robust cultural forces that search to demonize sexuality and curtail lady sexual company.
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Their interspecies romance is made possible only by the mutual repression of their desires: Edward’s thirst for human blood and Bella’s desire for sexual intimacy. Like most literary vampires, Edward is physically powerful and controlling. While these attributes typically render vampires terrifying, in Twilight they are employed to make what is otherwise a very traditional courtship ritual seem dangerous but exhilarating. Twilight presents a dramatic shift in the vampire narrative, one that is perhaps well suited for a sexually regressive political landscape.
INTRODUCTION: THE CINEMA OF ABSTINENCE 23 Chapter 5, “Sexploitation in Abstinence Satires,” explores the meaning of virginity as articulated in the 2000s revival of the teen sex adventure and its low-budget knock-offs. This chapter looks at what I call “virginsploitation” films, including exploitative Hollywood features such as Superbad (2007) and Easy A (2010), which I contrast with a shadow low-budget industry that spoofs cinematic anxieties about virginity in films such as American Virgin (2000; 2009), I Am Virgin (2010), and 18-Year-Old Virgin (2012).
As vampires lost their status as transgressive and irredeemable outsiders, they became easier to enlist in the project of propping up mainstream hegemonic institutions. 14 Despite deviating from its Gothic roots, the vampire genre, now in a newly wholesome and conservative guise, has never been more popular. In addition 30 A bstinence C inema to breaking box office records, the Twilight saga has cultivated an extensive and devoted fan base. 16 But the popularity of the Twilight saga goes well beyond young adults.
Abstinence Cinema Virginity and the Rhetoric of Sexual Purity in Contemporary Film by Casey Ryan Kelly